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Access by Mike Fox
All Ends by Eduard Schmidt-Zorner
A Tangible Beauty of Absence by Sue Pearson
A Plant Grows in Concrete by Yash Seyedbagheri
A Journey by Train by Matthew Roy Davey
Aunt Stokesia’s Cave by Kenneth Pobo
Beautiful Disaster by William Falo
Cailín Maith by Frances Holland
Camera Shy by Carl Scharwath
Causeway by Oz Hardwick
Cinderella by Alwyn Bathan
Don’t Go to Denver by Melissa Grunow
Driftwood by Bill Stifler
Electric Candle by Alfredo Salvatore Arcilesi
Everything Was Wild by William Falo
Explosion by Frances Holland
Failing Better: Dealing with Rejection by Natalie Crick
Natalie Crick: FINDING INSPIRATION TO WRITE
Fragmented Voices: Our Story so Far by Natalie Nera
Heavy Absence by Edward Lee
Here I Am – Your Sister Earth by Bronislava Volková
Hers/Mine by WORDSMiTH
Home for the Holidays by Emily Huber
How I Miss Jadatti’s Kiss by Alwyn Bathan
In Paladin’s Field by RW Spryszak
Introducing Roger Bloor
Introducing Stela Brix
Introducing Kasia Grzelak
Introducing Shannon Elizabeth Gardner
Introducing Victoria Holt
Introducing India Hibbs
Introducing Amy McCartney
Introducing Fabrice B. Poussin
Introducing Ann Privateer
Introducing Ida Saudková
Introducing Carl Scharwath
Introducing a New Team Member
Keys by Tohm Bakelas
Knives and Forks by Sarah Leavesley
Little White Pill by Fabrice Poussin
Madrugada by Clara Burghelea
My Place by Lynn White
Miss Peverill by Alwyn Bathan
Modern Forces and the Meaningful Metaphor by Mark Antony Rossi
My First Pair by Lauren Aspery
Natalie Crick: Celebrating the Launch of Bridges Anthology 2019
NATALIE CRICK: DRAFTING A POEM
Natalie Crick: Emotion
NATALIE CRICK: Memories and Fragments
Natalie Crick: 2020, A New Year for Writing
Natalie Crick: On writing ‘Chadlington Village, Hampshire’
NATALIE CRICK: On Writing ‘Changeling’
NATALIE CRICK: ON WRITING ‘FARM BOY’
Natalie Crick: On writing ‘The House Where Love Boy Lives’
NATALIE CRICK: ON WRITING ‘WATER BABY’
NATALIE CRICK: Publication of a Pamphlet; ‘Co-Incidental 5’
Natalie Crick: Snow – A Writing Exercise for Winter
Natalie Crick: Versioning
Natalie Crick: Workshopping
Natalie Nera: The Floodgates Have Opened
Newcastle Poetry Festival
No, I Don’t Want to Remember by Joy Manné
Not Coffee by Frances Holland
Nursing Home by John Grey
Old Books by Robert Boucheron
Presenting Ann Privateer
Protest by Niles Reddick
Sea Rocket by Jake Morris-Cambell
Silence by Mike Fox
Stardust by Naima Rashid
Tackle and Tootsie Pops by N.T. McQueen
Tender Places by Helen Anderson
The Alchemy of Writing by Rue Collinge
The ‘Writer’ Aesthetic: Performative or Productive? by Jasmine Jade
The Baffling Case of Burgundy Lake by Mandira Pattnaik
The Eye and the Needle by Malini Chaudhri
The Flavor of Change by Janette Shafer
The Gecko’s Tale by Abigail Ottley
The Journey Begins
The Return of Lost Daughter: Why every Writer Should Become an Editor
The Return of the Lost Daughter
The Return of the Lost Daughter: Can I Write in English?
The Return of the Lost Daughter: Creative Writing Degrees – Are They Worth It?
The Return of the Lost Daughter: Do what You Preach
The Return of the Lost Daughter: How to Be a Creative Mother
The Return of the Lost Daughter: How to Write a Novel
The Return of the Lost Daughter: Inner Spaces
The Return of the Lost Daughter: Over to You
The Return of the Lost Daughter: The Way In
The Return of the Lost Daughter: Where Is My Home?
The Return of the Lost Daughter: Why Poetry?
The Return of the Lost Daughter: Live Your Anti-Climax
The Writerly Review of Black Polo-Necks by Frances Holland
This is a Frankenstein Night by Jane Burn
Three Poems by Alison Jones
Three Poems by Andi Talbot
Three Poems by Batnadiv HaKarmi
Three Poems by Francesca Crosby
Three Poems by Peg Robarchek
To Live as You Can by Edward Lee
Two Poems by Clare Crossman
Two Poems by Eileen Carney Hulme
Two Poems by Jennifer Ruth Jackson
Two Poems by Lorraine Caputo
Two Poems by Penny Blackburn
Two Poems by Susan Darlington
Vapour Trail by Matthew Roy Davey
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