What We Mean by Christopher Moylan

What is it that we meant to say when we say nothing? That we stayed up all night, huddled in blankets, while the children we might have conceived watched us from beyond the breakers, eyes black with reproach. Words like ships passing: some rigged with ice and frost, others with spark and flame, waves seething and bucking on the pebble shore, beside themselves. Memories composting somewhere out back by rivers of stained glass where oblivion receives its baptism. Bundles of once in a lifetime opportunity tossed from the high windows like stacks of newsprint in old black and white movies. Birds peeling from trees like dates from calendars in the same black and white movies. Tidal waves rising over coastal villages, sudden mountains poised on the mirror glare of the full moon. All of this real, none of it true

…when we say nothing. We maintain a certain equilibrium among us like stone spheres floating in outer space, free falling all ways at once, so, in a sense, not falling, but remaining in place—where no place exists. In this we maintain the appearance of a life the way dust drifting from an explosion maintains the appearance of a shape, cohering as clouds, mushrooms, or flowers, all manner of things, except what it is: a cloud of shards, bits, dust. Disbursing, flying in all ways at once, when, as for us, all we want is to establish a position. Each one of us must have a position, a point of reference, even if that points is, in essence,

Nothing. The times rife with trigger words and code words, rumors and conspiracy theories of uncertain provenance. A constant supply, more all the time. Fact weaponized, truth driven underground. Dark energy manifest in ambient decay. Thoughts drifting apart, conversations trailing off, the point lost at the start, if there was one, if that even mattered. Logic is a carnival mirror. The obvious is too subtle, insult preferable. Occam’s razor become Occam’s head shot become Occam’s hand grenade clearing the way in social discourse for the consolations of intellectual paralysis. No response necessary if no response possible. Nothing to say. Nothing to save.

Time flies like the knife thrower’s daggers. The outline emerges with sharpened edges.  The life we failed to embrace gone with the ghost of transgressions we failed to commit. Words withdrawn like hands cupped around a flickering match. Some warmth persists, some light. What is it you were going to say? Nothing. What were you going to say? Wallpaper peeled away, plaster and slats gone. Curtains fluttering in windows that no longer exist.

Sadness. Regret. The louche menace of a forest cave wet with dream. Are we under an illusion. Or are we under arrest? What is it we mean to say when we say nothing? Sweetness and warmth. Unstated understanding in companionable silence like a plate passed down a table. Simple things. Strange things. Every blessing is a revolution. If it’s real. What is it we meant to say? Come into the water. It’s warm. It’s nothing. Come in.

About the Author:

Chris Moylan is an Associate Professor of English at NYIT where he publishes poetry and literary criticism as well as short prose. His prose poems and flash fiction have recently appeared in Flea of the Dog, Parhelion and Strata magazines.